My name is Steven Greenman and I was a co-producer
and violin soloist for the “East Meets West – A Butterfly Lovers
Concert” that took place at the historic Hermit Club in downtown
Cleveland March 23rd, 2013. I had the privilege of working intensely
with Stephen A. Eva, director of the Chagrin Falls Studio Orchestra
and David Badagnani, director of the Cleveland Chinese Music Ensemble.
Together we took an idea of performing the Butterfly Lovers Violin
Concerto, the most beloved work in the Chinese classical repertoire
with full orchestra, and expanding the concert to include other
instrumental Chinese classical works for orchestra plus an artistic
program of traditional Chinese folk music by the Cleveland Chinese
Music Ensemble. The concert featured the city of Cleveland’s premier
performance of the Butterfly Lovers Violin Concerto and it was an
event that was shared by Cleveland’s Chinese community as well as
Cleveland’s ardent supporters and fans of classical and traditional
folk music. Of course, a concert like this took months of planning and
preparation. After performing excerpts of the Butterfly Lovers Violin
Concerto with a pianist as part of several concerts with David’s
ensemble, I set a goal and challenge for myself to learn the entire
work. I had performed shorter East European Gypsy violin showpieces
with orchestras in the past but this was a full classical concerto
with unique musical phrasings and expressions combined with serious
violin pyrotechnics and violin technique. It took me several months to
learn the piece and once completed I approached several local music
directors to gauge interest in performing it with me. Steve Eva, whom
I had known for a few years, was quite intrigued with the concert
idea. His feeling was that this project would make for a creative and
exciting evening event at the Hermit Club where he often conducts. We
both thought that it would be important to include Cleveland’s Chinese
community and I suggested we work together with David Badagnani and
his ensemble. The Hermit Club was thrilled with the concert idea and
the three of us set out to bring the inspiration to reality. David’s
northeast Ohio contacts with the Chinese community brought us into
contact with Anne Y. Pu, editor of the Erie Chinese Journal where the
organizing committee (me, Steve Eva and David) spent a splendid
afternoon discussing ideas for the concert and how best to advertise
while meeting more supporters and eating lots of delicious food
provided by Anne. David worked extremely hard to secure all the scores
and parts for the various pieces we were to perform and even wrote out
by hand all the instrumental parts for one of the orchestral pieces!
Steve Eva and I met with members of the Cleveland State University
Confucius Institute including Anthony Yen, Wenzheng Liu and Dr.
Haigang Zhou to describe the project and our goals and how this
concert could be the impetus for future collaborations. One of the
thrills during the organizing process was our interview on WCPN 90.3FM
with renowned radio personality Dee Perry. We talked about the
upcoming concert and I performed the main theme of the concerto.
Through David’s indulgence, Steve Eva and I accompanied David’s
wonderful sheng (Chinese mouth organ) playing with Chinese percussion
instruments he provided. Steve Eva successfully assembled his
orchestra and after our two rehearsals the excitement mounted in
anticipation of the big event. Ticket sales were successful and the
evening of the concert we were greeted to a full house of enthusiastic
audience members. The atmosphere was electric. The Cleveland Chinese
Music Ensemble, led by director and performer David Badagnani,
performed the first half of the concert. Always assuming the highest
ideals of musical artistry and supreme musicianship, the ensemble
performed beautifully and splendidly. After intermission, Steve Eva
led his Chagrin Falls Studio Orchestra with wonderful performances of
the tone poem "Dance of the Yao People" and the festive overture "The
Flowers are Beautiful, The Moon is Round." ?As with the upcoming
concerto, these pieces were also Cleveland premieres. The moment was
set for the main event: The Butterfly Lovers Violin Concerto. Our
special Master of Ceremonies, Zhang Ying, gave a brief but informative
description of the work. The orchestral opening of the piece set the
mood drawing the audience into the past world of the two tragic lovers
– Liang Zhanbo and Zhu Yingtai. I faced the audience and played the
opening theme. As the concerto progressed, the audience was mesmerized
by the contrasting themes represented by the dialogue between solo
violin and orchestra. It was such a thrill to have the opportunity to
perform such a moving and enraptured piece with full orchestra in
front of a warm and supportive crowd. My wife, my parents (from
Pittsburgh) and my in-laws (from Detroit) were present as well as
friends and colleagues. After the final notes drifted into the
infinity of night the crowd rose to give everyone a standing ovation.
It was gratifying to be sure for me but also gratifying for the
completion of a hugely successful project that had started many months
ago. Just as the two lovers emerged from tragedy to eternal love as
butterflies so did David, Steve and I emerge from our intense work and
preparation to the triumphant euphoria of a beautiful concert event.
In conclusion, myself, David Badagnani and Steven A. Eva gratefully
acknowledge the generous support of Margaret Wong, Alex Machaskee,
Anthony Yen, the Cleveland State University Confucius Institute, the
Cleveland Contemporary Chinese Culture Association of Solon, Ohio, and
Anne Y. Pu and the "Erie Chinese Journal" for their assistance in
making this concert a success.
Steven Greenman
Violinist/Composer/Educator
Greenfidl@sbcglobal.net
www.stevengreenman.com |
梁 祝
Butterfly Lovers
李秋暉 (Alice Li)
Translated by David Badagnani and Alice Li
伊利湖畔彩雲飛,
Colorful clouds drift by over the Lake Erie shore this night,
花好月圓惹人醉。
Beautiful flowers and full moon overwhelm the senses with delight.
梁祝化作蝴蝶舞,
If Liang and Zhu could dance together as Butterfly Lovers in this
far-off land,
文姬思漢何須歸。
Why would Lady Wenji need to return to Han, with music so grand?
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